HOUSTON CHRONICLE
April 4, 2007
Houston “Homohop” Performer
Gains Wider Attention
By JOEY GUERRA
Miss Money
Miss Money's piercing voice has resonated far beyond the confines of
Houston's local music scene thanks to Pick Up the Mic a documentary
about the gay hip-hop scene that has screened at festivals all over
the world. The film is currently airing on MTV's Logo network, and a
fall film tour is in the works.
That led to the Homorevolution Tour 2007, a multicity trek featuring
gay, lesbian, bisexual and transgendered hip-hop artists. Miss Money
performs on four Texas dates, including Friday's show at Club Dignity.
She is one of six acts on the bill featured in Pick Up the Mic.
"Honestly, I'm just happy to be singing," Money says. "I've been on the
gospel circuit, the blues circuit and the gay hip-hop circuit. I assure
you, my voice doesn't discriminate.
"I do, however, think it's important to bring awareness that there are
openly gay artists in urban music. Once the awareness is there, the
message will be communicated."
The tour's headliner is Deadlee, a Los Angeles-based rapper who has
loudly criticized the lyrics of Eminem and 50 Cent. Also on the bill is
U.K. rapper Q-Boy, who has earned major attention overseas.
Miss Money was a natural complement to those colorful contemporaries
and essential for the tour's Lone Star success.
"You talk about homohop in Texas, and the first thing someone asks is,
'Is Miss Money playing?' " says tour organizer Camilo Arenivar. "I like
her spirituality. I like what she brings to the tour. On top of that, I
think she has a beautiful voice."
Indeed, Money's latest disc, The Love of Money, is highlighted by her
soulful, soothing delivery and ease amid genres. Throughout her career,
she has jumped from heartfelt R&B covers (Get Here, Kissing You) to
fluid originals and gorgeous gospel moments.
Miss Money moved to Houston as a youngster and attended the High School
for the Performing and Visual Arts. She earned a scholarship to
Boston's prestigious Berklee College of Music and graduated with
honors.
Upon returning to Houston in 2003, she created Money Talks Enterprises,
which includes a publishing company, recording studio and Internet
radio station (www.Radio713.com). She has also produced for locals Rob
G and Miss KeKe, and DJ-ed at the G Spot.
A new radio show, A Woman's Worth, launched this week, as did
www.lesbianhiphop.com, a Web site "dedicated to the stories of the
openly gay women in urban music."
"The cost of living in Houston is ideal for the average independent
artist," Money says. "I moved (back) to Houston where I could
realistically own a sizable studio without starving. I travel to the
big music cities to conduct business and perform."
An ideal, inspirational situation, but it hasn't come without
obstacles. Money was diagnosed with muscular dystrophy in 2004, but she
hasn't let the potentially debilitating disease slow her down.
"I think, for me, muscular dystrophy has become the voice box that I
never knew I had," she says.
"Honey, I still tour. I still stay up all night in the recording
studio. Anybody sitting in a wheelchair doing nothing with their lives
has completely missed the point."
Yes, she knows that some folks may not be down with the Homorevolution.
And that's OK.
"Everyone doesn't want to hear gay-themed music. That doesn't mean
they're homophobic," she says. "I think on the flip side of it, you
have artists like me that do so much outside of the gay community. I
assure you in the studio, when I'm behind the boards, the fact that
I'm gay has never come up. When I minister and the Holy Spirit is
moving, gay doesn't come up, either. It's all praise.
"The same thing can happen in hip-hop. I'm telling you, the disparities
aren't nearly so many that gay folks and straight folks can't still
come together and make music."
copyright 2007 The HoustonChronicle.com